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Ana Maria

Ana Maria is a Milonga written by Carlos Marchisio and recorded by Juan D’Arienzo in 1944. The Milonga Ana Maria is written by Carlos Marchisio, Juan D’Arienzo has recorded Ana Maria with the singer Héctor Mauré.
“Ana Maria,” translating to “Anna Mary” in English, evokes a melody that dances gracefully through time, weaving tales of love and longing. This name is a poetic tapestry, where “Ana” signifies grace, inviting an elegance that feels timeless, while “Maria” anchors the soul with a profound depth, symbolizing enduring faith and cherished devotion. Together, they create a harmonious symphony of spirit and heart.

Milonga

Style

Juan D'Arienzo

Orchestra

Héctor Mauré

Singer

Norberto López

Author

Carlos Marchisio

Composer

1944/5/17

Date

Héctor Mauré
Héctor Mauré
Juan D'Arienzo
Juan D’Arienzo

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Lyrics Translation of the Milonga Ana Maria

This is the translation of the Milonga “Ana Maria” from Spanish to English. The English lyrics of the Milonga “Ana Maria” have been done with AI.

Letra del Milonga Ana Maria

Ana María, la rosa mulata
Bajo su bata esconde un dolor,
Nació con luna de plata
Por los Cuarteles del sol.

Novia querida de aquel tamborero
Un entrerriano de corazón,
Los dos colmaron sus sueños
Con un romance de amor.

Cuántos pardos se sintieron
Prisioneros por su amor,
Dos mulatos la quisieron
Pero ella dijo: No.
A sus ojos, un poeta
Le cantó su madrigal,
Florecía la morena
Entre rosas de un rosal.

English lyrics of the Milonga "Ana Maria"

Ana Maria, the mulatto rose
Hides a sorrow beneath her gown,
She was born under a silver moon
By the Barracks of the sun.

Beloved bride of that drummer
An Entrerrian with heart so bold,
Together they fulfilled their dreams
With a romance of love, pure as gold.

How many mixed-race men felt
Enslaved by her love’s power,
Two mulattos wanted her
But she said: No.
To her eyes, a poet
Sang his madrigal,
The dark lady blossomed
Among roses in the rose bush.

Ana Maria by Norberto López

Ana Maria is a Tango written by Norberto López and composed by Carlos Marchisio.



Story behind the Tango Ana Maria

“Ana Maria” narrates the poignant tale of a mixed-race woman named Ana Maria, who conceals her pain beneath her attire. The lyrics suggest she was born under a hopeful “silver moon” but lived in a less fortunate part of the town “by the barracks of the sun.” This contrast between the silver moon and the harsh sunlight exemplifies the dichotomy of hope and reality in her life. Ana Maria’s love story unfolds with her fiancé, a fervent drummer from Entre Ríos, representing the heartful connections formed despite societal challenges. They filled their lives with the essence of a deep romantic bond, showing resilience and devotion in the face of adversity.



Symbolism of Ana Maria

The central symbol in this tango is Ana Maria herself, who stands as a figure of beauty and sorrow, a blossom shrouded in the shadows of societal prejudice. Her experiences reflect the larger community issues of racial and class discrimination. The recurring images of “silver moon,” “roses,” and the “rosebush” symbolize both beauty and hidden thorns in her life. These elements, combined with the vibrant but poignant imagery of life “under the barracks of the sun,” paint a picture of a woman caught between her external allure and internal suffering.



Ana Maria in historic Context

Recorded in 1944, this tango emerges during a time of considerable social and cultural shifts in Argentina, amidst the backdrop of World War II and its consequential impact. The reference to ‘Entre Ríos’ and ‘Cuarteles’ roots the story in specific Argentine locales, suggesting a deeper narrative tied to these areas’ socio-political climate. During this era, tango often served as a reflective medium to discuss deeper societal issues through lyrical subtleties and emotive compositions. “Ana Maria” is a piece that, while encapsulating a personal love story, also hints at the broader themes of racial divide and societal acceptance, common in the collective Argentine memory of the time.



Norberto López

Norberto López was a notable Argentine lyricist known for his contributions to the tango genre, depicting powerful narratives and emotions through his compositions.