Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Amurado is a Tango written by José De Grandis and composed by Pedro Laurenz.
“Amurado” portrays the story of profound loneliness and heartbreak. The lyrics describe a man reflecting on the emptiness of his room and his life after his loved one has left. The personal items and the room itself serve as painful reminders of what once was. His reflection on aging and solitude further amplifies the sentiment of loss and despair. The phrase, “arregló su bagayito y amurado me dejó,” literally meaning she packed her little things and left me despondently, emphasizes the sudden and impactful nature of the departure.
The title “Amurado” itself, a lunfardo term for being dejected or shut out, encapsulates the whole theme. The use of specific elements like “pilchas viejas” (old clothes) and “una flores” (some flowers) symbolizes the remnants of past love that are now mere memories. The image of walking through cafés “to seek happiness” symbolically portrays the attempt to fill a void through external means, showcasing a profound internal desolation.
Written in 1952, post-World War II Argentina was under significant political and social changes. This atmosphere of uncertainty and change could mirror the song’s themes of abandonment and personal turmoil. The portrayal of personal grief reflects a universally relatable feeling, embedded within the specific cultural context of Argentine Tango, which often expresses emotional pain and nostalgia.
José De Grandis was a renowned lyricist in the Argentine tango scene, known for his deep and evocative lyrics that resonate with emotional depth and nuanced storytelling.