Amor y Tango by Carlos Bahr

Amor y Tango is a Tango written by Carlos Bahr and composed by José Basso.

Story behind the Tango Amor y Tango

The lyrics of “Amor y Tango” reflect a narrative of introspection and regret in the face of life’s adversities. The protagonist finds themselves at a figurative crossroads, represented by “cinco esquinas” (five corners), symbolizing multiple paths or decisions, yet all options seem desolate (“calles desiertas”). This setting conveys a sense of isolation and uncertainty, leading the character to question their past actions, including the possibility of not having loved or dreamed sufficiently.

Symbolism of Amor y Tango

The song heavily employs the imagery of deserted streets and unanswered doors to symbolize rejection and desolation. The repeated lines, “¿dónde debo llamar?, ¿en qué puerta?”, accentuate a feeling of desperation and exclusion, heightened by the doors that metaphorically say, “¡mañana, después!”—indicating procrastination or denial of help. The act of “tocándose el codo” among observers subtly hints at gossip or dismissiveness, enhancing the protagonist’s sense of solitude and despair.

Amor y Tango in historic Context

“Amor y Tango” was written in 1986, a period during which Argentina was undergoing significant political and economic changes, transitioning from a military dictatorship to a democratic government. This context of upheaval may reflect the song’s themes of disorientation and loss. The tango, traditionally a dance of intense emotions and close connection, contrasts with the narrator’s feelings of abandonment and disconnection, perhaps mirroring the broader societal uncertainties of the time.

Carlos Bahr

Carlos Bahr was a prominent Argentine lyricist known for his poignant and emotionally rich tangos, which often explored themes of love, betrayal, and existential sadness.