Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Amarga sospecha is a Tango written by Carlos Bahr and composed by Fulvio Salamanca.
The tango “Amarga sospecha” (Bitter Suspicion) takes us into the depths of a tormented heart tangled in a storm of love and jealousy. It narrates the intense conflict of a person who is tortured by unfounded suspicions about their beloved, experiencing simultaneous feelings of love and scorn. This whirlwind of emotions manipulates the narrator’s reality, causing them to oscillate between adoration and detestation of their partner, driven by the fear of betrayal that may not even exist.
The lyrics of “Amarga sospecha” are rife with symbolism that magnifies the torment experienced by the narrator. The “extraña tormenta” (strange storm) symbolizes the chaotic, uncontrollable emotions swirling within the narrator’s heart. The juxtaposition of love and hatred, illustrated through descriptions like “te amo y te odio” (I love you and I hate you), portrays the inner conflict of harboring suspicion against a loved one. The lyrics question the paradox of how one can despise and adore someone so intensively at the same time, highlighting the irrational nature of jealousy.
“Amarga sospecha” was composed in 1949, a time when Argentina was undergoing significant political and social changes. This era of uncertainty may reflect in the personal uncertainties and suspicions explored in the tango. The tango, a deeply emotional and traditional Argentine music genre, serves as a perfect medium to express complex human emotions and societal issues. The year 1949 marks a period just before the rise of Juan Domingo Perón to his full political power, symbolizing a moment of both hope and apprehension in Argentine history, much like the contrasting emotions in the song.
Carlos Bahr was an Argentine lyricist known for his poignant and introspective contributions to the tango genre.