Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Alma en pena is a Tango written by Francisco García Jiménez and composed by Anselmo Aieta.
The lyrics of “Alma en pena” (translated as “Soul in Pain”) narrate the story of a lingering and painful heartache that persists through time. The protagonist reflects on the undying memories and tender moments captured in withered letters, tainted by tears. Despite being forgotten, they remain haunted by the sound of their beloved’s laughter and confessions of love to another. This poignant tale encapsulates the essence of unrequited love and the torment of abandonment.
The symbolism in “Alma en pena” is rich and evocative, drawing upon images of faded letters and a soul wandering in distress. The repeated references to “suplícale llorando” (begging while crying) and “mendrugos del olvido” (crumbs of oblivion) emphasize a deep yearning and the trivial sustenance the narrator clings to. Moreover, the metaphor of the soul as “moribunda” (moribund) at the beloved’s threshold illustrates the depth of suffering and the near-death state of the narrator’s spirit.
“Alma en pena” was written and recorded in Argentina in 1946, a period marked by significant political and social transitions. Post World War II, Argentina was experiencing a mix of hope and upheaval, which resonates in the song’s themes of love, betrayal, and emotional survival. The historical context likely amplifies the feelings of despair and nostalgia, characteristic of tango music, reflecting a collective sentiment of loss and longing that pervaded the era.
Francisco García Jiménez was a renowned author and lyricist, known for his poignant and emotive contributions to the art of tango.