Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Alma en pena is a Tango written by Francisco García Jiménez and composed by Anselmo Aieta.
The lyrics of “Alma en pena” depict the sorrowful tale of a man grappling with the memory of a lost love, whose remembrance persists despite the passage of time. Narrating the emotional turmoil of seeing his former lover happy with someone else, the protagonist describes his anguish as he reads old, tear-stained letters, reminding him of the love he once had. As he stands by her door, he overhears her cheerful laughter and loving words to another, mirroring those once whispered to him, intensifying his feeling of betrayal and pain.
The title itself, translating to “Soul in Pain,” captures the essence of the song. The imagery of “soul in pain” wandering near the loved one’s door symbolizes unrequited love and unending grief. The act of collecting “mendrugos del olvido,” or crumbs of forgetfulness, poetically portrays the protagonist’s struggle to piece together remnants of joy from a love that has long ceased to contribute positively to his life. The repeated references to crying and the descriptions of physical reactions to hearing her voice indicate an intense emotional suffering.
Recorded in 1946, “Alma en pena” emerged in post-World War II Argentina, a time of significant political and social changes. The nostalgic and sorrowful themes in the tango could reflect the broader societal sentiments of loss and transition. This period was marked by a mix of hope and uncertainty, much like the conflicted feelings the protagonist displays towards his past love and the process of moving on.
Francisco García Jiménez was a renowned Argentine poet and lyricist, celebrated for his profound contributions to the genre of tango.