Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Alhucema is a Tango written by and composed by Francisco Pracánico.
“Alhucema” unveils a haunting narrative set against the backdrop of a funeral, capturing the powerful, emotive experience of mourning and love lost. The story revolves around the death of a valiant “moreno” and the accompanying demise of love. Through the vivid imagery of a funeral procession and the lament of an entire community, the tango reveals the collective grief and cultural resonance of such a loss. The character “Alhucema,” symbolizing allure and perhaps betrayal, is central to the tragedy, having seemingly led to the demise of the beloved. The lyrics reflect the deep emotional scars left behind, wrapped in themes of love, betrayal, and the inexorable grip of fate.
The lyrics of “Alhucema” resonate with profound symbolism and vivid imagery. The recurring invocation of a “negra macumba” suggests a mystical, almost sinister presence, setting the stage for a narrative steeped in dark rituals and supernatural connotations. Symbolically, “macumba” and the “tambor” embody the spiritual and cultural expression of the Afro-Argentinian community, evoking a somber, rhythmic background to the unfolding drama. Key phrases like “la sombra de Dios” present a powerful dichotomy, framing the communal anguish against divine apathy. Additionally, the image of “el fúnebre carro” plodding through “un barro de sombras” metaphorically depicts the relentless passage of mourning into obscurity, a reflection on the inescapable nature of grief and loss.
The tango “Alhucema,” birthed in Buenos Aires in 1944, emerges from a culturally rich period in Argentine history, a time when tango served as the sonic canvas for social commentary and emotional expression. The combination of African influences in the lyrics and rhythm, evidenced by references to “macumba” and “cantos de negros,” taps into the cultural tapestry of Buenos Aires, a city known for its immigrant cultures and diverse communities. In this historical context, the tango likely reflects on the marginalized Afro-Argentinian experience, echoing their traditional spiritual practices and societal narratives within a predominantly Eurocentric urban milieu. The depiction of collective mourning and expressions of spiritual rites resonate with a historical yearning for identity and recognition within the vibrant cultural landscape of mid-20th century Argentina.
Francisco Pracánico was an influential Argentine composer, deeply embedded in the tango tradition, known for his emotive and intricate compositions that captured the heart and soul of Buenos Aires’ musical scene.