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Al pasar

Al pasar is a Vals written by José Raúl Iglesias and recorded by Ricardo Tanturi in 1943. The Vals Al pasar is written by José Raúl Iglesias, Ricardo Tanturi has recorded Al pasar with the singer Enrique Campos.
“Al pasar,” or “In Passing,” is a journey through fleeting moments, captured in a melodic embrace. Each note dances like whispers of memories, lingering briefly before they vanish into the tapestry of time. Like the gentle breeze that caresses one’s face, this piece reminds us of the beauty found in transient encounters and ephemeral experiences.

Vals

Style

Ricardo Tanturi

Orchestra

Enrique Campos

Singer

Juan Bautista Gatti

Author

José Raúl Iglesias

Composer

1943/8/6

Date

Enrique Campos
Enrique Campos
Ricardo Tanturi
Ricardo Tanturi

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Roberto Firpo – La seguidora – 1934/12/11
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Roberto Firpo – La cumparsita – 1928/1/11
José Basso – Besos brujos – 1967/1/1
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José Basso – Guardia vieja – 1965/1/1
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José Basso – Martirio – 1950/6/27
Adolfo Carabelli – Sinverguenza alabancioso – 1931/9/7
Adolfo Carabelli – Olvidao – 1932/3/18
Adolfo Carabelli – Mentira – 1931/10/2
Adolfo Carabelli – Juntito al jaguel – 1933/7/25
Adolfo Carabelli – Cantando – 1931/9/4
Francini-Pontier – Tengo un amigo – 1954/1/15
Francini-Pontier – Cuando talla un bandoneón – 1954/7/6
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Francini-Pontier – Dicen que dicen – 1950/12/5
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Recommended

These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

Al pasar recorded by other Orchestras

Al pasar recorded by other Orchestras

1943/8/6 – Garua – Pedro Laurenz
1943/8/6 – Paisaje – Pedro Laurenz
1943/8/6 – Muchachos comienza la ronda – Ricardo Tanturi
1943/8/6 – Por eso canto yo – Ricardo Tanturi
1943/8/6 – Vieja esquina – Ricardo Tanturi
Al pasar – 1943/9/3 – Lucio Demare – Raul Beron
Al pasar – 1943/8/6 – Ricardo Tanturi – Enrique Campos

Lyrics Translation of the Vals Al pasar

This is the translation of the Vals “Al pasar” from Spanish to English. The English lyrics of the Vals “Al pasar” have been done with AI.

Letra del Vals Al pasar

En la cruz de la calle, un farol
Parpadea con ojo tristón,
En el huerto la luz se arrincona
El alma del barrio que sabe quién soy.

Y los dedos del viento al pasar
Por las cuerdas de un viejo parral,
Mueve el pelo de un sauce que asoma
Detrás de la tapia, pintada de cal.

Más allá de la noche, la luna
Desciende al acecho del cuerpo de ti,
Y son brillos de unas estrellas
Volando en las nubes, vestidas de abril.

Y la voz del dolor del silencio
Devuelven el aire del eco dulzón,
De un parque que usa entre rejas
Suspira en la boca de un bandoneón.

English lyrics of the Vals "Al pasar"

At the street corner, a streetlight
Flickers with a mournful eye,
In the back garden the light huddles,
The soul of the neighborhood that knows who I am.

And as the wind’s fingers pass by
Over the strings of an old grapevine,
It moves the hair of a willow that peeks
Behind the lime-painted wall.

Beyond the night, the moon
Descends stalking your body,
And they are glimmers of stars
Flying in the clouds, dressed in April.

And the voice of the pain of silence
Returns the sweet echo of the air,
From a park that lies behind bars
It sighs in the mouth of a bandoneon.

Al pasar by Juan Bautista Gatti

Al pasar is a Tango written by Juan Bautista Gatti and composed by José Raúl Iglesias.



Story behind the Tango Al pasar

“Al pasar,” which translates to “Upon Passing” or “In Passing” in English, intricately captures the essence of a moment or scene as experienced during a transient, fleeting moment. The lyrics depict a night scene illuminated by a solitary street lamp and a moon on the prowl, setting a tone both melancholic and reflective. The environment described is deeply embedded in local geography, mentioning specific elements like an old vine and a willow behind a lime-painted wall, evoking a strong sense of place. This song’s narrative seems to revolve around a deep personal reflection triggered by familiar sights and sounds of a neighborhood that holds significant personal history.



Symbolism of Al pasar

The symbolic language in “Al pasar” is potent, using elements like the “triste-eyed” lamp and the moon watching stealthily to evoke feelings of solitude and contemplativeness. The neighborhood, with its physical and auditory elements, symbolizes more than just a physical space; it represents a repository of memories and emotions familiar and personal to the observer. The use of natural elements like wind, willow, and stars dressed in April enhances this reflection, adding a layer of transience and beauty to the unfolding scene. The culminating symbol, the bandoneón sighing behind bars, powerfully mirrors the entrapment of memories and emotions that are evoked by this familiar yet distant setting.



Al pasar in historic Context

The Vals “Al pasar” was recorded in 1943, a time when Argentina was marked by political instability and a looming post-war identity crisis. This historical backdrop may subtly permeate the lyrics, reflecting a broader sense of nostalgia and uncertainty that could resonate with the broader societal mood of the era. The reference to physical spaces and subtle interplay of light and shadow could metaphorically parallel the national sentiment of introspection and contemplation of an uncertain future.



Juan Bautista Gatti

Juan Bautista Gatti was an Argentine lyricist known for his contributions to tango, a musical genre deeply woven into the cultural fabric of Argentina.