Fabrice Knecht Tango DJ

Al hipódromo chofer

Al hipódromo chofer is a Tango written by and recorded by Osvaldo Fresedo in 1928. The Tango Al hipódromo chofer is written by , Osvaldo Fresedo has recorded Al hipódromo chofer with the singer Antonio Buglione.
The name “Al hipódromo chofer,” translated as “To the Racetrack, Driver,” evokes an urgent journey through dust-laden streets and bustling city life. With the rhythms of a vibrant tango, it captures the anticipation and thrill of the race, each note urging the driver to weave through the intricacies of chance and destiny. This musical piece paints a vivid portrait of longing, speed, and adventure, echoing the vibrant pulse of urban desire.

Tango

Style

Osvaldo Fresedo

Orchestra

Antonio Buglione

Singer

Author

Composer

1928/9/25

Date

Antonio Buglione
Antonio Buglione
Osvaldo Fresedo
Osvaldo Fresedo

Discover Other Orchestras

Recommended

These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

Lyrics Translation of the Tango Al hipódromo chofer

This is the translation of the Tango “Al hipódromo chofer” from Spanish to English. The English lyrics of the Tango “Al hipódromo chofer” have been done with AI.

Al hipódromo chofer recorded by Osvaldo Fresedo


Al hipódromo chofer is an instrumental Tango composed by .



Interpretation of Al hipódromo chofer

Imagine a vibrant scene set in the lively streets of Buenos Aires in the late 1920s. The instrumental piece “Al hipódromo chofer,” translated to “To the racetrack, driver” in English, evokes images of an exciting day where anticipation fills the air. The music captures the hustle and bustle as locals and visitors alike prepare to make their way to the racetrack, a popular social gathering spot.



The composition starts with a lively and energetic rhythm, reflective of the city’s dynamic life and the palpable excitement of the spectators eager to reach their destination. The music might feature a vibrant bandoneon leading the melody, with violins and piano adding layers of complexity and charm. As the piece progresses, it portrays the rhythmic motions of the carriage ride or the bustling travel, narrating the journey with each note and phrase.



The middle section of the piece possibly slows down to indulge in the charm of the conversation and camaraderie that takes place during the ride. It offers a moment to appreciate the vibrant colors and sounds of the city passing by. Towards the end, the orchestra might build up once more, signifying the close proximity to the racetrack, where the thrill of the day awaits. The crescendo of musical excitement mirrors the growing enthusiasm of the passengers as they arrive at the bustling hub of the racetrack.



Osvaldo Fresedo and Al hipódromo chofer

Osvaldo Fresedo, renowned for his sophisticated and innovative approach to tango, brings “Al hipódromo chofer” to life with his orchestra. Known for blending traditional tango with modern elements, Fresedo’s rendition likely captures the essence of Buenos Aires’ elegance and vivacity of that era.



His orchestra, celebrated for its precision and emotive performances, would enhance the storytelling quality of the piece, transforming it into a journey not only through the city streets but through the emotions and aspirations of those heading to the racetrack. Fresedo’s interpretation undoubtedly contributes to the timeless appeal of “Al hipódromo chofer,” making it a cherished piece in the world of tango instrumentals.