Fabrice Knecht Tango DJ
Style
Orchestra
Singer
Author
Composer
Date
These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Ahí va el dulce is a Tango written by Osvaldo Sosa Cordero and composed by Juan Canaro.
The title “Ahí va el dulce” translates to “There goes the sweet” in English, subtly indicating the loss or departure of something dearly cherished. The lyrics poetically narrate the sorrow of a heart expressed through the melancholic sound of the bandoneón. This deep emotional outpour pours out in the night, rich with sentiment. The narrative voice likens itself to a child, indicating a profound vulnerability and a longing for a past love, comparing the lost love to the innocence and simplicity often associated with childhood.
The bandoneón’s crying introduces a potent symbol often used in Tango to represent the soul of Argentinian music, echoing the depths of human emotions. The phrase “con llanto ‘e bandoneón” uses local dialect to enhance authenticity and depth, emphasizing the tears of the instrument as if it were alive and grieving. The lyrical journey through a past romance, juxtaposed with the current heartache and unfulfilled dreams, highlights a common theme in tango: the bittersweet remembrance of what once was and the harsh reality of its absence.
Recorded in 1958, a period marked by socio-political changes in Argentina, “Ahí va el dulce” reflects a nostalgic yearning that resonates with the national sentiment of loss and longing prevalent during this era. This backdrop adds a layer of poignancy to the lyrics, as the personal loss metaphorically intertwines with the collective memory and pain felt by many during turbulent times in Argentina’s history.
Osvaldo Sosa Cordero was an esteemed Argentine folklorist, composer, and lyricist, renowned for his contributions to folk music and tango.