Aguantalo si podés (De corte antiguo) is a Tango written by Anselmo Aieta and recorded by José Garcia in 1944. José Garcia has recorded Aguantalo si podés (De corte antiguo) as an instrumental Tango.
“Aguantalo si podés (De corte antiguo)” translates to “Endure it if you can (In an old-fashioned style).” This title evokes a challenge wrapped in nostalgia, inviting listeners to grapple with emotions that echo from the past. The piece, likely reminiscent of a traditional tango, beckons one to confront and embrace the intense yet beautiful whirlwind of emotions it stirs.
These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Aguantalo si podés (De corte antiguo) recorded by other Orchestras
Aguantalo si podés (De corte antiguo) recorded by other Orchestras
Aguantalo si podés (De corte antiguo) recorded by José Garcia
Aguantalo si podés (De corte antiguo) is an instrumental Tango composed by Anselmo Aieta.
Interpretation of Aguantalo si podés (De corte antiguo)
Translated to English, “Aguantalo si podés” means “Endure it if you can” with “De corte antiguo” adding a sense of “old-fashioned” or “antique style.” As an instrumental piece, this tango composition may evoke a deep emotional journey, suggesting resilience and strength in enduring life’s challenges through its rich, poignant melodies. The “antique style” hints at nostalgic undertones, inviting the listener to reminisce about past eras, capturing the essence of a more traditional, classic tango sound. The intricate interplay of the bandoneones, violins, and piano in José Garcia’s interpretation likely brings these elements to life, weaving a narrative of enduring spirit and timeless beauty.
José Garcia and Aguantalo si podés (De corte antiguo)
José Garcia, known for his precise and emotive expression, delivers Anselmo Aieta’s composition with fervor. His orchestra likely captures the essence of Buenos Aires’ vibrant tango culture of the 1940s. By incorporating traditional sensibilities into this performance, Garcia manages not just to play the notes, but to narrate a story reminiscent of the golden age of tango. The arrangement possibly highlights Garcia’s ability to balance the authenticity of “De corte antiguo” with a dynamic, expressive interpretation, remaining faithful to the composition’s roots while engaging the contemporary listener with its timeless resonance.