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Adiós muchachos

Adiós muchachos is a Tango written by Julio César Sanders and recorded by Osvaldo Fresedo in 1956. Osvaldo Fresedo has recorded Adiós muchachos as an instrumental Tango.
“Adiós Muchachos,” which translates to “Goodbye, Boys,” is a poignant farewell in the language of tango. It speaks of parting ways with youthful days and cherished companions, a bittersweet blend of nostalgia and acceptance. This melody captures the essence of bidding adieu to the past while acknowledging the inevitable passage of time.

Tango

Style

Osvaldo Fresedo

Orchestra

Instrumental

Singer

César Vedani

Author

Julio César Sanders

Composer

1956/1/1

Date

Instrumental
Instrumental
Osvaldo Fresedo
Osvaldo Fresedo

Discover Other Orchestras

Ángel d’Agostino – Ronda de tango – 1943/8/10
Ángel d’Agostino – Adiós Arolas (Se llamaba Eduardo Arolas) – 1953/8/10
Ángel d’Agostino – Así era el tango – 1944/4/5
Ángel d’Agostino – Manoblanca (Mano blanca) – 1944/3/9
Ángel d’Agostino – Gil a rayas – 1953/8/10
Orquesta Típica Victor – Estampa rea – 1927/12/19
Orquesta Típica Victor – En la carcel – 1927/11/25
Orquesta Típica Victor – Pobre zonzo – 1927/11/25
Orquesta Típica Victor – La cumparsita – 1926/5/12
Orquesta Típica Victor – Olvidaste – 1928/4/9
Osvaldo Fresedo – A la luz del candil – 1927/5/29
Osvaldo Fresedo – La canción – 1961/6/1
Osvaldo Fresedo – Madre dime porque – 1934/6/18
Osvaldo Fresedo – Llevatelo todo – 1928/5/3
Osvaldo Fresedo – Viejo malevo – 1952/11/21
Alfredo De Angelis – Marioneta – 1943/7/23
Alfredo De Angelis – Como se muere de amor – 1943/11/4
Alfredo De Angelis – Alas azules – 1980/1/1
Alfredo De Angelis – Rosicler – 1946/11/7
Alfredo De Angelis – Violetita – 1949/1/1

Recommended

These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

Adiós muchachos recorded by other Orchestras

Adiós muchachos recorded by other Orchestras

1956/1/1 – Capricho de amor – Osvaldo Fresedo
1956/1/1 – Preludio N°3 – Osvaldo Fresedo
1956/1/1 – Vida mia – Osvaldo Fresedo
1956/1/1 – Milonguero viejo – Lucio Demare
1956/1/1 – Barrio de tango – Lucio Demare
Adios muchachos – 1952/12/18 – Osvaldo Fresedo – Instrumental
Adios muchachos – 1956/1/1 – Osvaldo Fresedo – Instrumental
Adios muchachos – 1950/5/19 – Alfredo De Angelis – Julio Martel
Adios muchachos – 1945/4/27 – Enrique Rodriguez – Armando Moreno
Adios muchachos – 1961/5/12 – Jose Basso – Instrumental
Adios muchachos – 1983/1/1 – Jose Basso –
Adios muchachos – 1959/10/2 – Florindo Sassone – Andres Peiro
Adios muchachos – 1951/11/21 – Florindo Sassone – Rodolfo Gale
Adios muchachos – 1968/5/24 – Florindo Sassone – Instrumental
Adios muchachos – 1927/12/11 – Roberto Firpo – Instrumental
Adios muchachos – 1987/1/1 – Nuevo Quinteto Real (Horacio Salgan) – Instrumental
Adios muchachos – 1964/1/1 – Quinteto Real (Horacio Salgan) – Instrumental
Adios muchachos – 1927/10/14 – Orquesta Tipica Victor – Instrumental

Letra del Tango Adiós muchachos

Adiós, muchachos, compañeros de mi vida,
barra querida de aquellos tiempos.
Me toca a mí hoy emprender la retirada,
debo alejarme de mi buena muchachada.
Adiós, muchachos. Ya me voy y me resigno…
Contra el destino nadie la talla…
Se terminaron para mí todas las farras,
mi cuerpo enfermo no resiste más…

Acuden a mi mente
recuerdos de otros tiempos,
de los bellos momentos
que antaño disfruté
cerquita de mi madre,
santa viejita,
y de mi noviecita
que tanto idolatré…
¿Se acuerdan que era hermosa,
más bella que una diosa
y que ebrio yo de amor,
le di mi corazón,
mas el Señor, celoso
de sus encantos,
hundiéndome en el llanto
me la llevó?

Es Dios el juez supremo.
No hay quien se le resista.
Ya estoy acostumbrado
su ley a respetar,
pues mi vida deshizo
con sus mandatos
al robarme a mi madre
y a mi novia también.
Dos lágrimas sinceras
derramo en mi partida
por la barra querida
que nunca me olvidó
y al darles, mis amigos,
mi adiós postrero,
les doy con toda mi alma
mi bendición…

English lyrics of the Tango "Adiós muchachos"

Goodbye, boys, companions of my life,
dear gang of those times.
It’s my turn today to start the departure,
I must leave my good old crowd.
Goodbye, boys. I’m leaving and I resign myself…
Against destiny no one can argue…
All the revelry for me has ended,
my sick body can’t take anymore…

Memories of other times
come to my mind,
of the beautiful moments
that I once enjoyed
close to my mother,
holy little old lady,
and my sweetheart
whom I so adored…
Do you remember she was lovely,
more beautiful than a goddess
and drunk with love,
I gave her my heart,
but the Lord, jealous
of her charms,
plunging me into tears,
took her away?

God is the supreme judge.
There’s no resisting him.
I’ve got used to
respecting his law,
as my life was undone
by his mandates
stealing both my mother
and my girlfriend too.
Two sincere tears
I shed as I depart
for the beloved gang
that never forgot me
and as I give, my friends,
my final goodbye,
I give you all with my soul
my blessing…

Adiós muchachos by César Vedani

Adiós muchachos is a Tango written by César Vedani and composed by Julio César Sanders.



Story behind the Tango Adiós muchachos

“Adiós muchachos” translates to “Goodbye, boys” in English and captures a poignant farewell of a man to his cherished youth and companions. The lyricist, César Vedani, pens a nostalgic and heartfelt goodbye to his “companions of my life, beloved gang of those times,” as he confronts the inevitability of death due to his failing health. The themes of loss, nostalgia, and the cruel inevitability of fate resonate throughout the song, painting a vivid emotional journey from the joys of youth to the solemnity of farewell.



Symbolism of Adiós muchachos

The tango uses significant symbols, particularly the recurring theme of “farewell” or “goodbye.” This symbolizes the end of joyous moments, symbolized by “todas las farras,” or “all the revelry,” reflecting a finality not just to physical existence but to a lively, vibrant youth. The references to beloved figures from his past, including his mother and his sweetheart, extend the song’s emotional depth and highlight the universality of loss and memory. Each character symbolizes piety, love, and unachieved dreams, deepening the poignancy of the farewell.



Adiós muchachos in historic Context

Released in 1956, “Adiós muchachos” resonates in a post-war Argentina where political instability and changes were persistent. During this era, Tango often reflected deeper societal sentiments, exploring themes of loss, nostalgia, and human resilience. The piece positions itself not just as personal catharsis but also as a societal reflection, where personal grief mirrors collective melancholy and resilience in the face of inevitable change.



César Vedani

César Vedani was a notable lyricist in the Argentine Tango scene, contributing deeply emotional and resonant works to the genre.