Adiós Bardi is a Tango written by Osvaldo Pugliese and recorded by Osvaldo Pugliese in 1944. Osvaldo Pugliese has recorded Adiós Bardi as an instrumental Tango.
“Adiós Bardi” translates to “Goodbye Bardi” in English. This piece evokes the bittersweet farewell to a cherished past, where each note dances with a tinge of nostalgia. As the music flows, it becomes a heartfelt tribute, whispering secrets of time gone by, while embracing the inevitable passage of moments and memories.
These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Bordoneo y novecientos recorded by Osvaldo Pugliese
Bordoneo y novecientos is an instrumental Tango composed by Osvaldo Ruggiero.
Interpretation of Bordoneo y novecientos
“Bordoneo” refers to a type of bass or drone sound, often associated with the lower strings or deep resonant notes that create a grounding rhythm in the music. “Novecientos” translates to “nine hundred,” which may be interpreted as a reference to something grand, perhaps symbolizing a nod to a century past or an influential period in time. Combined, “Bordoneo y novecientos” might be interpreted as a tribute to the rich, bass-driven melodies and harmonies that were prevalent in a historic era—suggesting a bridging of time through the enduring essence of tango.
Osvaldo Pugliese and Bordoneo y novecientos
Osvaldo Pugliese, known for his dramatic and emotive arrangements, brings “Bordoneo y novecientos” to life with his orchestra’s dynamic intensity. His interpretation accentuates the deep, resonant “bordoneo” creating a rhythmic foundation that transports the listener. Through Pugliese’s vision, the piece evokes the spirit of tango’s golden age, encapsulating the emotional depth and cultural richness that “novecientos” symbolizes, while showcasing the intricate interplay between melody and counter-melody for which his orchestra is renowned.