Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Abrazo fraternal is a Tango written by Vicente Demarco and composed by Arturo Penón.
The lyrics of “Abrazo fraternal” narrate a beautiful fusion of two iconic Argentine musical styles: the zamba from Salta and the tango from Buenos Aires. Initially described is a metaphorical scene where a spirited zamba “rides” a guitar to Buenos Aires, seeking the city’s bright lights. Welcomed warmly by the tango, a symbolic embrace between the two styles signifies a deep, cultural union, encapsulating a nationwide pride in both art forms. This poetic embrace serves not only as a celebration of Argentine music but also as an affirmation of national identity.
The title “Abrazo fraternal” itself, translating to “fraternal embrace” in English, symbolizes unity and affection. Through the use of this metaphor, Demarco emphasizes the deep connection and mutual respect between different cultural expressions within Argentina. Key phrases like “El tango le abrió sus brazos” (The tango opened its arms) and the repeated line “Es decir: soy argentino” (It is to say: I am Argentine) highlight this merging of cultural identities. The vivid imagery of the zamba galloping to Buenos Aires encapsulates a journey of exploration and integration, enhancing the overall theme of unity and shared heritage.
Recorded in 1964, a period of rich cultural expression in Argentina, “Abrazo fraternal” reflects a time when national identity was prominently explored and expressed through the arts. Buenos Aires, a cosmopolitan hub, was a melting pot of cultural influences, which is vividly depicted in this tango. During this era, Argentina was under political and social strains that often led to a more intensified search for cultural roots and unity, making this tango’s message particularly resonant.
Vicente Demarco, an Argentine lyricist, is renowned for his contributions to the tango genre, often weaving complex emotions and cultural narratives into his works.