Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
A suerte y verdad is a Tango written by Carlos Waiss and composed by Carlos Parodi.
The lyrics of “A suerte y verdad” evoke a profound narrative of personal introspection and acceptance of life’s vicissitudes. “He vivido intensamente y estoy en la pendiente donde los sueños se van,” confesses the speaker, indicating a life fully lived but now heading towards decline, a common reflection on aging and the fading of dreams. The acknowledgment that fortune does not favor the strong and that time tames all aspirations sets a somber tone of realism.
The repeated phrase, “todo eso y mucho más,” which appears twice in the song, serves as a poignant reminder of the depth of the narrator’s experiences and realizations. There is significant symbolism in the imagery of life’s injuries and defeated illusions (“Voy llevando en cada herida una ilusión ya vencida”) portraying life’s persistent and often harsh lessons. The contrast between past joys “Se fueron las alegrías” and enduring sorrows “las tristezas, tan mías” highlights a personal solitude in suffering.
Composed in Argentina during 1944, a period of intense political and social change, the themes of disillusionment and endurance in “A suerte y verdad” resonate deeply. The line “y el temple que se precisa para ahogar con una risa lo que dirán los demás” might reflect an attempt to hide one’s true feelings in a public facade, a common defense mechanism during turbulent political times. During this era, tango often captured the spirit of its age, acting as a reflective commentary on the collective consciousness of society.
Carlos Waiss, an adept Argentine lyricist, is well-known for his expressive tangos that often delve into themes of love, fate, and existential reflection.