Fabrice Knecht Tango DJ

A puño limpio

A puño limpio is a Milonga written by Pintín Castellanos and recorded by Juan D’Arienzo in 1950. The Milonga A puño limpio is written by Pintín Castellanos, Juan D’Arienzo has recorded A puño limpio with the singer Alberto Echagüe.
“A Puño Limpio,” which translates to “With Bare Fists” in English, captures the raw, unyielding spirit of resilience. It is a dance of perseverance, where every note strikes like a blow, revealing a story of determination. The music echoes the struggles faced and conquered, resonating with the heart’s relentless will to press forward against all odds.

Milonga

Style

Juan D'Arienzo

Orchestra

Alberto Echagüe

Singer

Pintín Castellanos

Author

Pintín Castellanos

Composer

1950/12/27

Date

Alberto Echagüe
Alberto Echagüe
Juan D'Arienzo
Juan D’Arienzo

Discover Other Orchestras

Recommended

These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

Lyrics Translation of the Milonga A puño limpio

This is the translation of the Milonga “A puño limpio” from Spanish to English. The English lyrics of the Milonga “A puño limpio” have been done with AI.

Letra del Milonga A puño limpio

Recitado:

Con este ritmo compadre

El milongón se bailaba,

Con corte y medialunas,

Con taconeo y sentada…



Con este ritmo compadre

El milongón se bailaba,

Era una danza atrevida,

Que a los mocitos gustaba…

Con cortes y medialunas,

Con taconeo y sentada,

¡Qué lindos tiempos!

No volverán…



Los niños de galerita

Gallardos y elegantones,

Los taitas, fieras melenas

Violentos y compadrones.

Pero en los tangos milongas

Como en la bravas peleas,

Se entreveraban valientes

De igual a igual…



Si algún puñal relucía

Buscando donde anidarse,

La juventud se lucía

A puño limpio y coraje.

Eran bailongos bravíos

Donde el varón se templaba,

¡Qué lindos tiempos!

No volverán…

English lyrics of the Milonga "A puño limpio"

Recited:

With this rhythm, compadre,

The milongón was danced,

With cuts and half moons,

With heel tapping and sitting down…

With this rhythm, compadre,

The milongón was danced,

It was a daring dance,

That the young lads enjoyed…

With cuts and half moons,

With heel tapping and sitting down,

Such beautiful times!

They will not return…

Kids in bowler hats

Gallant and very stylish,

The cool guys with wild manes

Fierce and tough.

But in those milonga tangos,

As in wild fights,

They mixed in bravely

As equals…

If some knife gleamed

Seeking where to nest,

Youth shone

With bare fists and courage.

They were wild dances

Where men were forged,

Such beautiful times!

They will not return…

A puño limpio by Pintín Castellanos

A puño limpio is a Tango written by Pintín Castellanos and composed by Pintín Castellanos.



Story behind the Tango A puño limpio

The lyrics of “A puño limpio” evoke a nostalgic reflection on the youth culture and traditional customs of Argentina in the golden era of tango. The title, which translates to “With a clean fist,” metaphorically depicts the straightforward, bold, and sometimes confrontational attitudes prevalent among the youth of the era. The tango recollects the days of “milongón” where dances were spirited and full of moxie, featuring intricate moves like ‘cortes’ (cuts) and ‘medialunas’ (half moons). The recitation highlights how these dances were not just social gatherings but also a display of masculine strength and valor, particularly emphasized through the willingness to settle disputes with fistfights, exemplifying courage and boldness.



Symbolism of A puño limpio

The tango is rich in symbols of Argentine machismo and valor. Terms such as “gallardos y elegantones” (gallant and very elegant) and “fieras melenas” (wild manes) symbolize the pride and flamboyance of young Argentine men of that period, signifying their social and physical prowess. “A puño limpio y coraje” (with a clean fist and courage), highlights not only the physical confrontations but also a broader, metaphorical meaning of facing life’s challenges directly and bravely. The use of words like “puñal” (dagger) portrays the dangers lurking within their society, where fights could escalate from fists to knives, yet such brawls were a way for the young men to prove themselves.



A puño limpio in historic Context

“A puño limpio” paints a vivid picture of the mid-20th century societal norms and youth culture in Argentina, specifically during the 1950s. It was a time when tango was not just a dance but a social institution, deeply interwoven with the concepts of honor, masculinity, and communal identity. The recollections of dances filled with complex moves and attire like “galerita” (a kind of hat) also point to a period when dance was a serious affair, and every detail mattered. This tango also subtly touches on the issues of violence, suggesting an era when physical confrontations were common and somewhat accepted methods of resolving conflicts, illustrating the tough environment from which this dance form emerged.



Pintín Castellanos

Renowned as a prolific composer and lyrical writer, Pintín Castellanos contributed significantly to the world of Argentinian Tango, leaving a legacy immortalized in pieces like “A puño limpio.”