Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
A mis manos is a Tango written by Julio Camilloni and composed by Alfredo Gobbi.
“A mis manos” or “To My Hands” is a poignant illustration of self-reflection and regret. The lyrics delve into the narrator’s introspective journey, discussing the failures and betrayals of his own hands, which were metaphorically blind and unable to protect or sustain the things most precious to him. From not being able to “touch the sky” to failing to prevent his mother’s departure, the hands symbolize the incapacity to act effectively or rightfully in crucial moments of life.
The primary symbols in “A mis manos” are the hands, representing agency and capability in life. Described as “blind,” these hands embody the mistakes and misguided actions throughout the narrator’s life, highlighting themes of betrayal and personal failings. Phrases like “mis manos fueron dos llamas y solas se consumieron” (my hands were two flames and alone they were consumed) suggest a passionate but ultimately futile effort to grasp or alter fate. The repeated lamentation “¡Ay, cómo se equivocaron las ciegas manos que tengo!” underscores a tragic self-awareness and acknowledgment of these failures.
A mis manos emerged in 1955 in Argentina, a period filled with political strife and social upheavals following Peron’s presidency. This era was marked by instability, which can be mirrored in the text’s exploration of betrayal and misfortune. The personal betrayals described in the lyrics possibly reflect the broader sense of distrust and upheaval in society at large, symbolizing the tough, often painful interactions among people in a time of societal distress.
Julio Camilloni was a renowned lyricist in the Argentine Tango scene, recognized for his deeply reflective and poignant texts that often involve themes of nostalgia, loss, and existential contemplation.