Fabrice Knecht Tango DJ

A media luz

A media luz is a Tango written by Edgardo Donato and recorded by Alfredo De Angelis in 1956. Alfredo De Angelis has recorded A media luz as an instrumental Tango.
“A media luz” translates to “At Half-Light” in English. This evocative title suggests an ambiance drenched in the subtle glow of dimmed lights, where shadows dance and secrets are whispered. It captures the essence of a twilight mood, a moment suspended between clarity and mystery, inviting lovers to sway in the intimate embrace of enigma and allure.

Tango

Style

Alfredo De Angelis

Orchestra

Instrumental

Singer

Carlos Lenzi

Author

Edgardo Donato

Composer

1956/8/16

Date

Instrumental
Instrumental
Alfredo De Angelis
Alfredo De Angelis

Discover Other Orchestras

Recommended

These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

A media luz recorded by other Orchestras

A media luz recorded by other Orchestras

Letra del Tango A media luz

Corrientes 3, 4, 8,
segundo piso, ascensor.
No hay porteros ni vecinos.
Adentro, cocktail y amor.
Pisito que puso Maple:
piano, estera y velador,
un telefón que contesta,
una victrola que llora
viejos tangos de mi flor
y un gato de porcelana
pa’ que no maulle al amor.

Y todo a media luz,
que es un brujo el amor,
a media luz los besos,
a media luz los dos.
Y todo a media luz
crepúsculo interior.
¡Qué suave terciopelo
la media luz de amor!

Juncal 12, 24
Telefoneá sin temor.
De tarde, té con masitas;
de noche, tango y cantar.
Los domingos, tés danzantes;
los lunes, desolación,
Hay de todo en la casita:
almohadones y divanes;
come en botica, cocó;
alfombras que no hacen ruido
y mesa puesta al amor.

English lyrics of the Tango "A media luz"

Corrientes 3, 4, 8,
second floor, elevator.
No doormen or neighbors.
Inside, cocktails and love.
A little place set up by Maple:
piano, rug, and night lamp,
a telephone that answers,
a phonograph that weeps
old tangos of my darling
and a porcelain cat
so it doesn’t meow at love.

And everything in dim light,
for love is a wizard,
in dim light the kisses,
in dim light the two of us.
And everything in dim light
an inner twilight.
What soft velvet
the dim light of love!

Juncal 12, 24
Call without fear.
Tea with cookies in the afternoon;
at night, tango and song.
On Sundays, tea dances;
on Mondays, desolation.
The little house has everything:
cushions and couches;
eating in heaps, darling;
carpets that don’t make noise
and a table set for love.

A media luz by Carlos Lenzi

A media luz is a Tango written by Carlos Lenzi and composed by Edgardo Donato.


Story behind the Tango A media luz

The tango “A media luz” talks about intriguing, somewhat clandestine meet-ups, framed in an environment set for romantic escapes. The lyrics describe a scene within small, apartment-like settings at specific addresses, furnished comfortably for intimacy and secrecy. Here the atmosphere is ripe with the potential for love, shaded in half-light which camouflages and softens the progression into romantic interludes.


Symbolism of A media luz

The phrase “A media luz,” which translates to “in half-light,” symbolizes the nuances and subtlety needed for romantic encounters, evoking a sense of confidentiality, intimacy, and muted passion. Half-light softens flaws and imperfections, lending everything a more romantic, dreamlike quality, essential in fostering the mood of the lyrics’ suggested meetings. The repeated emphasis on items like the porcelain cat—to maintain silence—and the carpets that “do not make noise” underscore the depth of discreetness and the lengths taken to maintain the secrecy of these romantic trysts.


A media luz in historic Context

The historical and geographical backdrop of Argentina in the mid-1950s, when this Tango was recorded, might reflect a society with strict social mores and perhaps a touch of rebellion against these norms. During this period Buenos Aires, where the tango emerged, was a city experiencing rapid growth and cultural influx. Addressing rendezvous discreetly suggests dancing between the lines of acceptable public behavior and private desires, typical in an era and location where appearances in society mattered immensely.


Carlos Lenzi

Carlos Lenzi was a renowned tango lyricist known for his collaboration with various musicians creating classics that resonated well within the genre.