Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
A media luz is a Tango written by Carlos Lenzi and composed by Edgardo Donato.
The lyrics of “A media luz” depict a secretive, intimate setting articulated through the addresses mentioned in the song, Corrientes 3, 4, 8, and Juncal 12, 24. These addresses hint at apartments in Buenos Aires where clandestine meetings characterized by romance and privacy occur. The song describes a space well-crafted for intimacy—cocktails, love, a piano, and soft lighting. The setting and mood cater to lovers seeking a hidden refuge where the outside world fades away, replaced by an atmosphere soaked in love and tranquility. “A media luz” translates to “in half-light,” emphasizing the dim, soft lighting that enhances the secretive, intimate vibe of these encounters.
The phrase “a media luz,” which translates to “in half-light,” symbolizes ambiguity and secrecy, an essential characteristic of a love that perhaps does not dare to speak its name fully in the light of day. The half-light offers not only practical cover but also enhances the romantic mystique of the space. The velvet softness described in the lyrics accentuates the sense of a gentle, luxurious, and inward-looking world. The dimmed light and the smooth velvet setting create an ideal backdrop for whispered affections and muted passions, suggesting a world separated from daily realities.
“A media luz” was recorded in 1941, a time when Tango music was a key cultural element in Argentina, capturing the mood and spirit of its era. The Tango, often associated with the melancholic and the romantic, served as a form of emotional expression. This was also a time of global uncertainty with World War II affecting every aspect of life. In this context, the song offers an escape—a temporary refuge where love can flourish even in trying times. The address specifics, like Corrientes and Juncal, well-known streets in Buenos Aires, ground the song firmly in Argentine culture, embodying the local flavor and daily life, yet transforming the ordinary into spaces of enchantment and allure.
Carlos Lenzi was a respected lyricist in the Tango genre, known for his ability to encapsulate deep emotion and cultural narratives within succinct and impactful lyrics.