A la parrilla is a Tango written by Carlos Figari and recorded by Aníbal Troilo in 1949. Aníbal Troilo has recorded A la parrilla as an instrumental Tango.
“A la parrilla,” meaning “On the Grill” in English, evokes the sizzling passions and charred emotions of a fiery Tango. It conjures images of a warm night, where hearts dance close, seared by the intensity of longing. Each note is a flavor, rich and smoky, melding together in a tapestry of desire and fervent rhythm.
These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
A la parrilla is an instrumental Tango composed by Carlos Figari.
Interpretation of A la parrilla
“A la parrilla” translates to “On the grill” in English. As an instrumental piece, it evokes the sizzling and vibrant atmosphere of a traditional Argentine barbecue. The music captures the dynamic and fiery spirit that is characteristic of both the culinary and cultural experience. The orchestra, led by the masterful Aníbal Troilo, might use a rich tapestry of melodies and rhythms to convey the essence of grilling—a blend of intensity, warmth, and the communal spirit that surrounds such gatherings.
Aníbal Troilo and A la parrilla
Aníbal Troilo’s interpretation of “A la parrilla” would likely bring out the passionate and nuanced facets of the tango, drawing on his deep understanding of the genre. Known for his emotive bandoneón playing and keen orchestral arrangements, Troilo would infuse the composition with his signature style. This version would likely balance both the intimate and exuberant elements of the music, much like the social dynamic at a parrilla gathering, offering a richly layered, yet cohesive auditory experience.