Fabrice Knecht Tango DJ

A la gran muñeca

A la gran muñeca is a Tango written by Jesus Ventura and recorded by José Basso in 1970. The Tango A la gran muñeca is written by Jesus Ventura, José Basso has recorded A la gran muñeca with the singer .
“A la gran muñeca,” which translates to “To the Great Doll” in English, evokes an air of elegance and mystique. The title suggests a tribute to a captivating figure, perhaps a dancer who glides effortlessly across the floor, her presence enchanting all who witness her. This piece of music captures the grace, charm, and allure of such a mesmerizing muse.

Tango

Style

José Basso

Orchestra

Singer

Miguel Osés

Author

Jesus Ventura

Composer

1970/1/1

Date

José Basso
José Basso

Discover Other Orchestras

José Basso – En el lago azul – 1959/3/9
José Basso – Sentimiento gaucho – 1961/5/5
José Basso – Tomo y obligo – 1951/9/11
José Basso – Necesito olvidar – 1968/1/1
José Basso – Don Juan – 1983/1/1
Alfredo De Angelis – Pastora – 1948/4/16
Alfredo De Angelis – Hoy al recordarla – 1946/3/1
Alfredo De Angelis – La cumparsita – 1944/6/3
Alfredo De Angelis – Misa de once – 1949/10/14
Alfredo De Angelis – A la gran muñeca – 1961/7/28
Ricardo Tanturi – El resero – 1965/1/1
Ricardo Tanturi – Entre sueños – 1943/3/2
Ricardo Tanturi – Cachá viaje – 1957/2/15
Ricardo Tanturi – Decile que vuelva – 1942/5/27
Ricardo Tanturi – Al compás de un tango – 1942/3/18
Roberto Firpo – Lujan de cullo – 1928/3/29
Roberto Firpo – Fuegos artificiales – 1938/1/4
Roberto Firpo – Llegué a ladrón por amarte – 1926/12/23
Roberto Firpo – Adiós (4) – 1926/12/31
Roberto Firpo – Fuegos artificiales – 1927/1/1

Recommended

These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

A la gran muñeca recorded by other Orchestras

A la gran muñeca recorded by other Orchestras

1970/1/1 – El recodo – Osvaldo Pugliese
1970/1/1 – Shusheta (El aristocrata) – Osvaldo Pugliese
1970/1/1 – Canaro en Paris – Jose Basso
1970/1/1 – Chique – Jose Basso
1970/1/1 – El choclo – Jose Basso
A la gran muneca – 1945/8/29 – Carlos di Sarli – Instrumental
A la gran muneca – 1951/5/9 – Carlos di Sarli – Instrumental
A la gran muneca – 1954/6/30 – Carlos di Sarli – Instrumental
A la gran muneca – 1963/12/17 – Juan D-Arienzo – Instrumental
A la gran muneca – 1948/5/1 – Miguel Calo – Roberto Arrieta
A la gran muneca – 1950/4/13 – Rodolfo Biagi – Instrumental
A la gran muneca – 1961/7/28 – Alfredo De Angelis –
A la gran muneca – 1970/1/1 – Jose Basso –
A la gran muneca – 1964/5/21 – Hector Varela – Instrumental
A la gran muneca – 1951/5/28 – Hector Varela – Instrumental
A la gran muneca – 1966/3/8 – Florindo Sassone – Instrumental
A la gran muneca – 1974/1/1 – Florindo Sassone – Instrumental
A la gran muneca – 1973/1/1 – Francini-Pontier – Instrumental
A la gran muneca – 1957/6/25 – Armando Pontier – Instrumental
A la gran muneca – 1964/1/1 – Quinteto Real (Horacio Salgan) – Instrumental

Lyrics Translation of the Tango A la gran muñeca

This is the translation of the Tango “A la gran muñeca” from Spanish to English. The English lyrics of the Tango “A la gran muñeca” have been done with AI.

Letra del Tango A la gran muñeca

Ya me estoy poniendo mal
de verte así
con las pilchas tan de bute
y ese berretín
que un gil de mucho vento te compró
para tenerte a su lado.
Si supiera que mañana te fugás
para la vieja querencia,
aquel bulín donde los viejos recuerdos
y alegrías que vivistes
te hicieron tan feliz.

Recuerdo que eras más linda
que una guinda
y un pelpa de cien,
y venías paseando tarde a tarde
con una piel de zorro
y un encantador vaivén…
Y la barra de muchachitos
te acechaba por doquier…
Te batían muchas cosas
que te dije yo también.

Y hoy que el tiempo aquel ya se ha fugado
y sin grupo te amaré,
porque manyo como te has portado
y conmigo nunca empleastes un chiqué.
Es por eso que te he respondido
en todas las rachas de la vida…
Mi encantito, mi piba querida,
soy de línea, soy de línea yo también.

English lyrics of the Tango "A la gran muñeca"

I’m starting to feel sick
seeing you like this,
in those fancy threads,
and that foolish fantasy
bought by some rich fool
just to keep you by his side.
If only he knew that tomorrow you’re off
back to the old haunt,
that little room where old memories
and joys you lived
made you so happy.

I remember you were as pretty
as a cherry
and a hundred-dollar bill,
and you’d stroll by every evening
in a fox fur,
swaying so enchantingly…
And a gang of young lads
would always be watching you…
They’d tell you many things
that I told you too.

And now that those times have slipped away,
and without anyone else, I will love you,
because I know how you’ve been,
and you never played games with me.
That’s why I’ve stood by you
through all life’s challenges…
My little charmer, my dear girl,
I’m loyal, I’m loyal too.

A la gran muñeca by Miguel Osés

A la gran muñeca is a Tango written by Miguel Osés and composed by Jesus Ventura.



Story behind the Tango A la gran muñeca

The lyrics of “A la gran muñeca” explore a narrative of nostalgia and reflection on a past relationship. It captures the protagonist’s conflicted emotions upon seeing their former beloved dressed lavishly, possibly by a new affluent partner. The mention of “las pilchas tan de bute” signifies outfits of high quality, indicating a life of luxury that the beloved is now experiencing. This starkly contrasts with their past, when they shared simpler, but seemingly happier times in a modest “bulín” (a small rented room). The song reflects on the changes wrought by time and fortune, revealing a mixture of admiration, sadness, and a touch of envy.



Symbolism of A la gran muñeca

The phrase “A la gran muñeca” itself is a colloquial expression that can be interpreted as a way of acknowledging something done with great skill or flair. In the context of the tango, it may symbolize the grandiose change in the life of the protagonist’s beloved, from humble beginnings to glamorous luxury. The imagery used, such as “una piel de zorro” (a fox fur) and an accommodating ambience of luxurious goods, contrasts vividly with the simple joys recalled from their earlier life. The fox fur in particular may symbolize cunning and strategy, perhaps in reference to the beloved’s navigation through social ascension.



A la gran muñeca in historic Context

Created in 1970, “A la gran muñeca” arrives at a time when Tango was undergoing transformations and a bit of a revival in Argentina. The 1970s in Argentina were tumultuous, marked by political strife and social changes. In this context, the tango might reflect a longing for simpler, more stable times amid the chaos of the day. Additionally, during this era, there was significant migration from rural to urban areas in Argentina, often in pursuit of better life—mirroring the beloved’s transformation from a simple past to a life of luxury.



Miguel Osés

Miguel Osés was a lyricist known for his contributions to the Tango genre within Latin American music. His works often explore themes of love, nostalgia, and societal observation.