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A la gran muñeca

A la gran muñeca is a Tango written by Jesus Ventura and recorded by Carlos di Sarli in 1945. Carlos di Sarli has recorded A la gran muñeca as an instrumental Tango.
“A la gran muñeca,” which translates to “To the Great Doll” in English, is a compelling piece of music that captures the elegance and allure of a bygone era. The “great doll” evokes imagery of a figure both delicate and grand, spinning gracefully across a dimly lit dance floor. This tango embodies the playful yet melancholic dance of appearances and hidden depths, inviting listeners into a world of refined beauty.

Tango

Style

Carlos di Sarli

Orchestra

Instrumental

Singer

Miguel Osés

Author

Jesus Ventura

Composer

1945/8/29

Date

Instrumental
Instrumental
Carlos di Sarli
Carlos di Sarli

Discover Other Orchestras

LOS SEÑORES DEL TANGO – Milonguero viejo – 1962/10/8
Carlos di Sarli – Cantemos corazón – 1956/11/2
Carlos di Sarli – Tormenta – 1954/9/8
Carlos di Sarli – El recodo – 1941/12/3
Carlos di Sarli – Si nos queremos todavía – (unknown date)
Carlos di Sarli – Mi refugio – 1952/10/27
José Garcia – Nadie ha de saber – 1945/4/16
José Garcia – Lagarterana – 1942/3/17
José Garcia – Candombe rioplatense – 1943/8/13
José Garcia – Calla bandoneon – 1944/4/7
José Garcia – El distinguido ciudadano – 1942/4/17
Adolfo Carabelli – Recordar – 1931/6/15
Adolfo Carabelli – Milonga sentimental – 1932/1/1
Adolfo Carabelli – Por qué te obstinas en amar a otro si hoy es lunes – 1932/12/30
Adolfo Carabelli – El pensamiento – 1932/1/1
Adolfo Carabelli – Negra Consentida – 1932/7/19

Recommended

These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

A la gran muñeca recorded by other Orchestras

A la gran muñeca recorded by other Orchestras

1945/8/29 – Yo – Carlos di Sarli
1945/8/29 – Siete palabras – Carlos di Sarli
1945/8/29 – Sueno de juventud – Carlos di Sarli
1945/8/28 – Pregonera – Juan D-Arienzo
1945/8/28 – Aqui he venido a cantar – Juan D-Arienzo
A la gran muneca – 1945/8/29 – Carlos di Sarli – Instrumental
A la gran muneca – 1951/5/9 – Carlos di Sarli – Instrumental
A la gran muneca – 1954/6/30 – Carlos di Sarli – Instrumental
A la gran muneca – 1963/12/17 – Juan D-Arienzo – Instrumental
A la gran muneca – 1948/5/1 – Miguel Calo – Roberto Arrieta
A la gran muneca – 1950/4/13 – Rodolfo Biagi – Instrumental
A la gran muneca – 1961/7/28 – Alfredo De Angelis –
A la gran muneca – 1970/1/1 – Jose Basso –
A la gran muneca – 1964/5/21 – Hector Varela – Instrumental
A la gran muneca – 1951/5/28 – Hector Varela – Instrumental
A la gran muneca – 1966/3/8 – Florindo Sassone – Instrumental
A la gran muneca – 1974/1/1 – Florindo Sassone – Instrumental
A la gran muneca – 1973/1/1 – Francini-Pontier – Instrumental
A la gran muneca – 1957/6/25 – Armando Pontier – Instrumental
A la gran muneca – 1964/1/1 – Quinteto Real (Horacio Salgan) – Instrumental

Letra del Tango A la gran muñeca

Yo te he visto pasar por la acera
con un gesto de desolación
y al cruzar no miraste siquiera,
que entendía tu desilusión.
Te ha dejado, lo sé, la malvada
y al calor de otros ojos se va;
ya lo ves cómo no queda nada
de ese amor que matándote está.

Volvé, jamás otras manos
cual las de tu mujercita
harán por la tardecita
los mates que cebo yo.
Que en su espuma te contaba
que además de su dulzura
allí estaba la ternura
de aquella que lo cebó.

Y por mucho que te quieran
siempre serán artificios,
nadie hará los sacrificios
que hizo por vos tu mujer.
En mis noches de vigilia
acongojada no duermo
sabiendo que estás enfermo
sin poderte socorrer.

Allá en la noche callada
te veo triste y burlado
por aquella que ha llevado
mi vida y mi corazón.
Volvé que aquí has de olvidarla,
mi pecho siempre te espera,
ya sabrá tu compañera
cicatrizar tu pasión.

English lyrics of the Tango "A la gran muñeca"

I have seen you pass by the sidewalk
with a gesture of desolation
and as you crossed, you didn’t even glance,
for I understood your disillusion.
She has left you, I know, the wicked one
and to the warmth of other eyes she goes;
you see how there’s nothing left
of that love that’s killing you.

Come back, no other hands
like those of your little woman
will make in the afternoon
the mate I prepare for you.
In its foam, it told you
that beyond its sweetness
there lay the tenderness
of the one who brewed it.

And no matter how much they love you,
it will always be artifices,
no one will make the sacrifices
that your woman did for you.
In my sleepless nights
anguished, I cannot sleep
knowing you are ill
without being able to help you.

There in the silent night,
I see you sad and mocked
by the one who took
my life and my heart.
Come back for you will forget her here,
my heart always waits for you,
your companion will know
how to heal your passion.

A la gran muñeca by Jesús Ventura

A la gran muñeca is a Tango written by unknown and composed by Jesus Ventura.

Story behind the Tango A la gran muñeca

“A la gran muñeca” portrays a poignant narrative of heartbreak and unfulfilled love. The lyrics reflect the anguish and desolation experienced by the singer, who witnesses a loved one suffering from a betrayal. The theme centers around the pain of lost love, but also offers a glimmer of hope through the promise of unwavering support and affection.

Symbolism of A la gran muñeca

The tango uses vivid imagery and symbolism to convey deep emotions. The “mates que cebo yo” symbolizes nurturing and care, illustrating the intimacy and efforts in relationships. The act of making mate tea is laden with cultural significance in Argentina, representing a cozy, shared moment. Also, “mi pecho siempre te espera” evokes a sense of refuge and constancy amidst turmoil.


A la gran muñeca in historic Context

Written in Buenos Aires in 1945, “A la gran muñeca” emerges from the rich cultural tapestry of a city that was a hub for tango music. The post-war period was a time when traditional gender roles and relationships were both reinforced and questioned, providing a backdrop for the themes of loyalty and emotional resilience found in the song. Buenos Aires was a city marked by its passionate embrace of tango, reflecting societal sentiments through its melodies and lyrics.

About the Composer

Jesús Ventura was a renowned composer in the world of tango, known for his ability to weave complex emotions into his music. His work continues to resonate, embodying the spirit of Argentine folklore and urban life.