Fabrice Knecht Tango DJ

A la D’Arienzo

A la D’Arienzo is a Tango written by and recorded by Juan D’Arienzo in 1968. Juan D’Arienzo has recorded A la D’Arienzo as an instrumental Tango.
The piece titled “A la D’Arienzo,” which translates to “In the Style of D’Arienzo” in English, encapsulates the spirit and vigor of the legendary tango maestro Juan D’Arienzo. It captures the essence of his iconic fast-paced and rhythmic beats. In every note and pause, one can feel the electrifying energy and passion that redefined tango’s golden era.

Tango

Style

Juan D'Arienzo

Orchestra

Instrumental

Singer

Author

Composer

1968/9/13

Date

Instrumental
Instrumental
Juan D'Arienzo
Juan D’Arienzo

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Recommended

These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

1968/9/13 – Siguiendo el compas – Juan D-Arienzo
1968/9/11 – A Pedro Maffia – Cuarteto Anibal TROILO
1968/9/11 – La cumparsita – Cuarteto Anibal TROILO
1968/9/11 – Los mareados – Cuarteto Anibal TROILO
1968/9/11 – Sobre el pucho (Un callejon en Pompeya) – Cuarteto Anibal TROILO

A la D’Arienzo recorded by Juan D’Arienzo

A la D’Arienzo is an instrumental Tango composed by .

Interpretation of A la D’Arienzo

“A la D’Arienzo” can be interpreted as a tribute to the unique style and energy of Juan D’Arienzo’s tango music. The piece captures the vibrancy, rhythm, and technical precision synonymous with D’Arienzo’s approach to tango, which often emphasizes a strong, danceable beat that invigorates the dance floor. The title suggests a musical homage, reflecting the dynamic pulse and the spirited tempo that became the hallmark of D’Arienzo’s orchestra, widely credited with revitalizing tango music during its time.

Juan D’Arienzo and A la D’Arienzo

Juan D’Arienzo, known as “El Rey del Compás” (The King of the Beat), led an orchestra that profoundly influenced the evolution of tango music. “A la D’Arienzo,” recorded under his direction, epitomizes his musical ethos, characterized by its lively rhythm and meticulous orchestration. The year 1968 marks the release of this piece, a period where D’Arienzo’s influence was still strong, showcasing his ability to maintain the traditional essence of tango while invigorating it with renewed vigor and enthusiasm.